Who's Getting Nominated This Week?

 We're about two weeks removed from the Screen Actors Guild award nominations and the BAFTA longlists.  Some films and actors are in good shape, but others are in trouble.  Here are questions that must be answered:

 

Will West Side Story be penalized for its disappointing box office performance?

Is Best Picture really now just a two-film race between The Power of the Dog and Belfast?

Could Drive My Car come out of nowhere to steal the Best Picture Oscar a la Parasite?

Will Dune become the latest film to lead in Oscar nominations, and maybe also Oscar wins, but fail to win the big prize?

 

Let's start with the acting races.  Best Actress seems to be a battle royal where only surprise Golden Globe winner Nicole Kidman of Being the Ricardos is a lock to even be nominated come  February 8.  I do think, however, that Olivia Colman (The Lost Daughter) and Lady Gaga (The House of Gucci) are safely in because of their own personal momentum and that of their movies. 

 

Then things are up for grabs.  Jessica Chastain of The Eyes of Tammy Faye stands a good chance of being nominated, but her film is unlikely to receive any other Oscar nominations.  Some Academy members may not consider viewing the "Tammy Faye" screeners as that high a priority.  For argument's sake, let's say Ms. Chastain is in.  That means you maybe have up to six women realistically battling for one spot, and they are, in alphabetical order, Penelope Cruz (Parallel Mothers), Alana Haim (Licorice Pizza), Jennifer Hudson (Respect), Renate Reinsve (The Worst Person in the World), Kristen Stewart (Spencer) and Rachel Zegler (West Side Story). Tessa Thompson of Passing and Emilia Jones of CODA are also possibilities.  I think Kristen Stewart will get the last Best Actress spot, but after not getting a Screen Actors Guild award nomination, she is NOT winning on Oscar Night...and she was once the favorite to win it all!   And could Jennifer Hudson potentially pull off an Emily Blunt shocker and win at SAG despite not getting an Oscar nomination?  Still, believe me when I tell you that Jennifer Hudson needed that SAG nomination in the worst way after being passed over for Golden Globe and Critics’ Choice nominations.

 

In Best Supporting Actress, however, an Ariana DeBose win for West Side Story is already seen as a foregone conclusion, so much so that it may not matter who the other four nominees are.  Still, Caitriona Balfe (Belfast), Kirsten Dunst (The Power of the Dog) and, to a lesser extent, Ruth Negga (Passing) seem to be safely in, leaving a handful of women battling for one spot.  King Richard’s Aunjanue Ellis, despite being passed over by SAG for an individual nomination, has the lead for the fifth spot.  But what if Ms. Ellis or Ms. Negga should miss?  Will "Belfast* get a second Best Supporting Actress nominee in Judi Dench, or West Side Story in Rita Moreno?  Will Mass, which has Ann Dowd and Martha Plimpton, receive one, two or zero nominations in this category? Could either the frequently nominated Cate Blanchett (Nightmare Alley) or the even more frequently nominated Meryl Streep (Don’t Look Up) add to their career nomination totals? What about the chance for an out of left field nominee?

 

I think Best Actor is mostly settled except for one spot.  Will it be Peter Dinklage (Cyrano), Javier Bardem (Being the Ricardos) or Hidetoshi Nishijima from Drive My Car, a movie that has a lot of awards momentum?

 

Best Supporting Actor has two locks in Kodi Smit-McPhee (The Power of the Dog) and Troy Kotsur (CODA).  Ben Affleck (The Tender Bar) is not a lock, but you have to like his chances.  Then there are question marks.  Will either Ciaran Hinds or Jamie Dornan be nominated for Belfast? Will they both be nominated as they were at the Golden Globes, or will neither be nominated individually a la SAG? Does The Power of the Dog get a second nominee in Jesse Plemons? Does Bradley Cooper get nominated for Licorice Pizza? Does the up until now overlooked Mike Faist get hurt by the disappointing West Side Story grosses?  Does a child actor get nominated here this year?  If so, which one: Jude Hill of Belfast or Woody Norman of C'mon C'mon?

 

And speaking of Jude Hill, the “For Your Consideration” Oscar ads for “Belfast” are pushing him for Best Actor.  But Motion Picture Academy Actors’ Branch members almost never nominate child or teen actors in the lead categories.  So if you think the Academy is going to nominate an 11-year-old boy for Best Actor, think again!  I just don’t see it happening.  But if “Belfast” really gets on a roll, Jude Hill could be the film’s third Best Supporting Actor nominee, almost certainly at the expense of Cooper and/or Affleck.

 

At a later date, I’ll offer my acting Oscar nomination predictions and my picks for winners at the Screen Actors’ Guild Awards.

 

Next is a look at the Best Director race.

 

I believe four of the five Golden Globe Award nominees for Best Director will make the DGA cut, while the fifth, Maggie Gyllenhaal of The Lost Daughter, will have to settle for the DGA nomination for first-time directors and will be replaced by non-Golden Globe nominee Paul Thomas Anderson of Licorice Pizza.  Come February 8, however, both could be passed over in favor of Ryusuke Hamaguchi, whose film, Drive My Car, is surging with Best Picture wins from the Big Three film critics’ organizations (New York Film Critics, Los Angeles Film Critics and National Society of Film Critics).

 

So here are my picks for the Directors’ Guild of America’s top award:

 

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Steven Spielberg, West Side Story

Denis Villenueve, Dune

 

And here are my predicted nominees for the DGA’s Outstanding Achievement in a First-Time Feature Film Award:

Benjamin Cleary, Swan Song

Maggie Gyllenhaal, The Lost Daughter

Rebecca Hall, Passing

Lin-Manuel Miranda, tick, tick…BOOM!

Emma Seligman, Shiva Baby

 

Finally, here are the films I think will be nominated by the Producers’ Guild:

 

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

House of Gucci

Licorice Pizza

The Power of the Dog

tick, tick…BOOM!

West Side Story

 

Wild Cards: King Richard, The Lost Daughter

 

The films I listed above have the most buzz surrounding them.  Yet I am concerned that at some point West Side Story could be penalized for not being the big box office hit it was expected to be.  This is a situation that bears watching.

I'll post again around February 5.

Oscars 2019: The Most Bizarre Movie Awards Season Ever?

The 2018-19 movie awards season has featured one surprise or shocker after another, possibly setting the stage for what could be the most upset-filled Oscar Night ever.  

The weirdness began in earnest on the morning of December 12, 2018, when the Screen Actors’ Guild award nominations were announced. Despite having already won several Best Supporting Actress awards from critics’ groups for her role in If Beale Street Could Talk, Regina King was not among the SAG Award nominees.  Weeks later came what may have been the greatest upset in the 25-year history of the SAG Awards: just days after being missing from the list of Oscar nominees, actress Emily Blunt won the Best Female Actor in a Supporting Role award for her work in A Quiet Place.

The award season started out looking as if it might be between A Star Is Born and The Favourite for the Best Picture Oscar.  But what has happened instead? Vice became the Best Picture frontrunner for about two seconds by picking up the most Golden Globe nominations (6), only to go 1 for 6 at the ceremony, while The Favourite and A Star Is Born each went a disappointing 1 for 5.  The surprise Best Motion Picture choices of the Hollywood Foreign Press Association were Green Book (Musical or Comedy) and, in probably the biggest Golden Globe upset since Atonement defeated No Country for Old Men for Best Motion Picture Drama and Julian Schnabel (The Diving Bell and the Butterfly) knocked off the Coen brothers for Best Director eleven years ago, Bohemian Rhapsody (Drama).  Then, Green Book pulled off another Best Picture upset, this time in the Producers’ Guild of America awards. Green Book, despite its key wins, has been dogged by controversy over its portrayal of race relations, thus casting some doubt on whether it can go all the way.

The Favourite has really only started to perform like the favorite to win on Oscar Night recently with its near sweep of the BAFTA awards…after frankly underachieving at the high-profile precursors (Golden Globes, Critics’ Choice, PGA, DGA and SAG). One film possibly capable of stopping the belated Favourite juggernaut is the Mexican film Roma, whose director, Alfonso Cuarón, has won Best Director honors from nearly every possible organization.  (One of Cuarón’s only defeats this award season came at the hands of Leave No Trace director Debra Granik, and a lot of good that Los Angeles Film Critics’ upset win did her as she and her film were totally shut out in the Oscar nominations!) 

Speaking of Roma, some believe it could become the first foreign-language film to ever win the Best Picture Oscar. Yet there are a few troubling signs about this film’s chances.  Most troubling is that Roma has not done all that well in the Hollywood guild awards.  It probably would have won a prize from the Producers’ Guild if the PGA had a Best Foreign-Language Film award, which it does not. Roma also was completely shut out in the Screen Actors’ Guild award nominations.  The absence of The Favourite from the Writers’ Guild awards field should have opened the door for either Roma or Green Book to possibly take a lead in the Best Picture Oscar race. Instead, we saw what may have been the greatest Writers’ Guild award upset ever, a Best Original Screenplay win by Bo Burnham for Eighth Grade, a film completely shut out in the Oscar nominations.  It is extremely rare for one of the Writers’ Guild’s top motion picture awards to go to a film not nominated for either Best Picture or Best Screenplay at the Oscars.

The acting awards at this stage seem to be a little more settled than Best Picture, but as was pointed out earlier, even the acting awards weren’t exempt from surprises and shockers. Aside from Regina King not being nominated by SAG, the biggest surprise was the near-total precursor and eventual Oscar nomination shutout of Ethan Hawke of First Reformed.  How did Hawke end up not being nominated for either a Golden Globe, SAG,  BAFTA or Oscar award after winning as many critics’ group Best Actor awards as he did?  Granted several of the early critics’ group awards were announced just as Golden Globe and SAG nomination voting was ending, but were people simply not paying attention?

So, who or what will win at the Oscars this weekend?  Let’s go category by category. (I’m only doing the major categories.)

Best Picture

My pick to win: Green Book. In this confusing movie awards season, I opted to play it safe and go with the Producers’ Guild winner, controversy or no controversy.

Most likely to pull off an upset A The Favourite (It is tied for the most Oscar nominations and could win more Oscars than any other movie.)

Most likely to pull off an upset B: Bohemian Rhapsody

Best Director

My pick to win: Alfonso Cuaron, Roma

Most likely to pull off an upset A: Spike Lee, BlackkKlansman, because many feel it’s time for a black director to finally win the Best Director Oscar.

Most likely to pull off an upset B: Yorgos Lanthimos, The Favourite. Could he become the first non-DGA nominee ever to win the Best Director Oscar, and as part of a Favourite sweep or near-sweep?

Best Actor

My pick to win: Rami Malek, Bohemian Rhapsody

Most likely to pull off an upset: Christian Bale, Vice

Best Actress

My pick to win: Glenn Close, The Wife

Most likely to pull off an upset A: Olivia Colman, The Favourite (She could win even if The Favourite ultimately does not win Best Picture.)

Most likely to pull off an upset B: Yalitza Aparicio, Roma, especially if co-star Marina de Tavira has already won earlier in the night and/or if it looks like Roma will win nearly everything in sight.

Best Supporting Actor

My pick to win: Mahershala Ali, Green Book

Most likely to pull off an upset: Sam Elliott, A Star is Born

Best Supporting Actress

My pick to win: Regina King, If Beale Street Could Talk. Despite the SAG snub, Ms. King has just won too many precursor awards not to win on Oscar Night. (But then again, we thought Ethan Hawke won just too many critics’ group awards not to be nominated for an Oscar.)

Most likely to pull off an upset: Strangely enough it is another non-SAG nominee, Marina de Tavira of Roma, who may be most likely to pick off Ms. King. If Ms. de Tavira wins, Roma is probably winning the Best Picture Oscar, but if co-star Yalitza Aparicio also wins, the rout is on…maybe.

Best Original Screenplay

My pick to win: The Favourite

Most likely to pull off an upset: Green Book

Best Adapted Screenplay

My pick to win: BlackkKlansman

Most likely to pull off an upset: Can You Ever Forgive Me? (This film just won at the Writers’ Guild Awards.)

Best Foreign-Language Film

My pick to win: Roma

Most likely to pull off an upset: Cold War (If Roma hasn’t won anything yet when this category comes up, a loss here could mean Roma may go 0-for-10!)

My Oscar Picks

This has been a rather strange and unpredictable Oscar season, and we seem to be headed for another Best Picture Oscar Night upset.  I guess we’ll have to wait ‘til next year to see a return to 70s/80s/90s-style Oscar normalcy.

Best Supporting Actress

Early in the awards season, Lady Bird’s Laurie Metcalf, who won most of the major critics’ groups’ best supporting actress awards, seemed to be running away with the Oscar.  Instead, it is now I, Tonya’s Allison Janney who is running away from the pack

My pick to win: Allison Janney, I, Tonya

Most likely to pull off an upset: Mary J. Blige, Mudbound

Best Supporting Actor

In this category as well, we had an early runaway favorite who was winning everywhere (Willem Dafoe of The Florida Project), then there was a momentum shift at the time of the Golden Globes in favor of Sam Rockwell of Three Billboards Outside Ebbing, Missouri.

My pick to win: Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Most likely to pull off an upset: Richard Jenkins, The Shape of Water

Best Actor

Timothee Chalamet won the lion’s share of the critics’ awards for Call Me By Your Name, but since the critics’ awards ended, Gary Oldman has solidly taken the lead in the Best Actor race.

My pick to win: Gary Oldman, The Darkest Hour

Most likely to pull off an upset: Timothee Chalamet, Call Me By Your Name

Best Actress

Frances McDormand has virtually swept the highest-profile precursors (i.e. Golden Globe, BFCA’s Critics’ Choice, SAG and BAFTA), but because she has won an Oscar previously, for the 1996 film Fargo, she could get picked off because of Academy voters’ long-standing reluctance to give any actor or actress more than one Oscar during his/her career. But who’s going to knock off Frances McDormand?  It won’t be Meryl Streep of The Post. (Katherine Hepburn’s record of four Oscars by an actor or actress will remain safe for at least another year as Daniel Day Lewis of Phantom Thread isn’t winning either.)  And I doubt it will be Saoirse Ronan of Lady Bird.  I would’ve liked Margot Robbie’s chances for an upset better if I, Tonya had been nominated for Best Picture as expected.  Maybe if there’s a late groundswell for The Shape of Water, Sally Hawkins might win.

My pick to win: Frances McDormand, Three Billboards Outside Ebbing, Missouri

Most likely to pull off an upset: Sally Hawkins, The Shape of Water

Best Original Screenplay

This category is loaded.  Any one of four films could win in this category.

My pick to win: Three Billboards Outside Ebbing, Missouri

Most likely to pull off an upset A: Lady Bird, because in case Greta Gerwig loses out for Best Director, Academy voters may want to give her a consolation prize.

Most likely to pull off an upset B: Get Out, which just won the Writers’ Guild award.

Best Adapted Screenplay

My pick to win: Call Me By Your Name

Most likely to pull off an upset: Mudbound

Best Director

The Shape of Water has been something of a paper tiger this awards season, consistently leading all films in nominations in one contest after another, but just as consistently failing to win that many awards of any sort, let alone Best Picture. Will this drag down Guillermo Del Toro, winner at the Golden Globe, Critics’ Choice, DGA and BAFTA awards?  I still think Best Director is a two-person race between Del Toro and Greta Gerwig of Lady Bird.

My pick to win: Guillermo Del Toro, The Shape of Water. However, if Del Toro loses the Best Director Oscar, The Shape of Water will NOT win Best Picture.

Most likely to pull off an upset: Greta Gerwig, Lady Bird, who I think will receive a HUGE chunk of the female vote from Academy members.

Best Picture

Let’s start by listing the films I think have absolutely no chance of winning: The Post, Phantom Thread and The Darkest Hour.  That still leaves Dunkirk, The Shape of Water, Lady Bird, Call Me By Your Name, Get Out and Three Billboards Outside Ebbing, Missouri, and you could make a strong case for and against any one of these six.

-The Shape of Water

Pro: It has the most nominations and is the film most likely to win the Best Director award. It also won the Producers’ Guild and Directors’ Guild awards.

Con: For all of its domination of the awards at the nomination stage, this film has frankly not done all that well in the final tallies.  At least La La Land last year backed up all of its nominations by winning a lot of awards in most contests up to and including the Oscars.

-Get Out

Pro: WGA win, critical acclaim

Con: Before the WGA awards, Get Out didn’t win much of anything in the highest profile precursor awards, but then again neither did Spotlight and Moonlight, and look what happened.

-Lady Bird

Pro: Possibly the most consistent winner of all the Best Picture nominees in the critics’ awards

Con: This film hasn’t done a whole lot of winning since the critics’ awards ended.

-Call Me By Your Name

Pro: WGA win, critical acclaim

Con: No Best Director nomination, not much in the way of wins since critics’ awards ended

-Three Billboards Outside Ebbing, Missouri

Pro: Won Best Motion Picture Drama Golden Globe Award, Won BAFTA Best Picture Award, Won SAG Best Ensemble Cast Award

Con: No Best Director nomination

-Dunkirk

Pro: This film finished second in total nominations and was a critical and commercial success.  Also, based on what I’ve read, a lot of people in movie circles still think this film has a chance to win.

Con: Where are this film’s big award wins? I find it a little hard to believe that Dunkirk, after winning very little of significance all awards season, will suddenly sweep or nearly sweep Oscar Night.

My pick to win: The Shape of Water, but not if Del Toro loses Best Director.

Most likely to pull off an upset A: Three Billboards Outside Ebbing, Missouri, because this film has been The Shape of Water’s nemesis since the Golden Globe Awards.

Most likely to pull off an upset B: Get Out  

Last updated March 1, 2018

Oscar Nominations 2018: Commentary and Early Oscar Night Predictions

Last week I posted my Oscar nomination predictions in six categories.  So how did I do?  Let’s go category by category:

Best Picture

Seven of the eight films I predicted would be nominated for Best Picture were among the nine eventual nominees.  I missed with I, Tonya and didn’t see The Darkest Hour or, especially, Phantom Thread coming. The Phantom Thread nomination haul, coupled with the shocking omission of Martin McDonagh from the Best Director category, constituted the biggest upset of this year’s Oscar nominations.

Early Oscar Night Prediction:  It’s now a two-horse race between The Shape of Water and Lady Bird, with a slight edge going to The Shape of Water.

Best Director

Only two of my five Best Director picks made the cut.  I was SHOCKED Martin McDonagh of Three Billboards Outside Ebbing, Missouri was passed over in favor of Phantom Thread director Paul Thomas Anderson.

Early Oscar Night Prediction:  This category is also a two-horse race between Greta Gerwig (Lady Bird) and Guillermo Del Toro (The Shape of Water), and I think there’s a real chance they’ll split the DGA and Oscar between them.  Right now, I think Del Toro wins the DGA award while Ms. Gerwig wins the Best Director Oscar, but it could go the other way around.

Best Actor

James Franco was an apparent victim of the #MeToo movement as he went from nomination shoo-in to no nomination at all for The Disaster Artist. Those sexual abuse allegations against Franco became public right at the time Academy members were trying to decide which names to write down on their nominating ballots. Denzel Washington of Roman J. Israel, Esquire was probably the main beneficiary of the fall of James Franco.  My other miss was in predicting Academy voters would pick Tom Hanks (The Post) instead of eventual nominee Daniel Day Lewis (Phantom Thread). I got three of the five nominees.

Early Oscar Night Prediction: Gary Oldman will win.

Best Actress

This was one category I was right on the money with, as I correctly predicted all five nominees.  And Academy Actors Branch members did pick Meryl Streep instead of Judi Dench.

Early Oscar Night Prediction:  Right now, I believe Frances McDormand will win. However, she could be picked off by either Sally Hawkins or Saoirse Ronan.

Best Supporting Actor

I got four of the five nominees and missed when I predicted Michael Stuhlbarg instead of Christopher Plummer.

Early Oscar Night Prediction:  I think Sam Rockwell will win.

Best Supporting Actress

I was a perfect five-for-five in this category.  I even correctly predicted the out-of-left-field nomination of Phantom Thread’s Lesley Manville, the only Oscar-nominated actor or actress this year not nominated for either a Golden Globe Award or a Screen Actors’ Guild Award.  Also, I should point out that all five Best Supporting Actress nominees are in their forties or older. I think this is the first time this has happened since 1987.

Early Oscar Night Prediction: I believe Allison Janney will win.

Last updated January 27, 2018